MDG34 (Facultad de Música de la Universidad Veracruzana in Xalapa Mexico)

The 34th MayDay Group Colloquium “Collaborations Across Cultures” is being held 25-28 June 2023 and hosted by the Facultad de Música de la Universidad Veracruzana in Xalapa Mexico. We are proud to be collaborating with the International Society for the Sociology of Music Education. Come join the fun! Proposals are due before 6 February.
Visit the colloquium website for more information: http://mdg34.weebly.com/ 

MDG Remembers Janice Waldron

It is with profound sadness that the MayDay Group shares news of the passing of longtime MayDay Group member Dr. Janice Waldron.

Janice was Professor of Music Education at University of Windsor, Canada. She taught future music educators at the School of Creative Arts, and her students were her guiding light. She cared about them deeply, and always drove them to do better, whether it was in class or over pizza.

Janice’s contributions to MayDay were many. She was the Editor of the MDG journal TOPICS for Music Education Praxis, she was a member of the Editorial Board for MDG journal Action, Criticism, & Theory for Music Education, and a member of the MDG Steering Committee. Most recently, she co-hosted MayDay Group Colloquium 33: Social Media for Good or Evil in Music Learning and Teaching at University of Windsor this past summer.

Janice was an accomplished musician, and one of her greatest joys was playing and teaching people about the tin whistle, Irish flute, and Uilleann pipes. She also loved conducting. She was always learning and growing as a musician in ways different than her training, and inspired her students and colleagues to do the same. Her scholarly passions revolved around informal music learning practices, social media and music learning, and Irish and Scottish traditional musics. She was highly published in numerous journals and books, and most recently co-edited The Oxford Handbook of Social Media and Music Learning.

One of Janice’s greatest gifts to our community was her mentorship to junior scholars and graduate students. I am fortunate to count myself among those she mentored during the ten years we worked together at University of Windsor. Janice’s kindness and generosity, and her great ability to speak directly while simultaneously making you laugh, made hundreds of us better teachers; better scholars; better people.

Janice was a dear friend to many of our members, and the MayDay Group will not be the same without her presence and her laughter.

Janice’s memorial service will be livestreamed today, Wednesday, November 16, at 1pm EST through Families First. The MayDay Group extends their deepest sympathies to Janice’s family and many friends. We are grateful for her exceptional contributions to music education, her caring nature, her sense of humour, her ability to challenge and to push our thinking as a field, and most of all, her friendship.

Sincerely,

Danielle Sirek, PhD

on behalf of the Steering Committee

Newsletter (October 10, 2022)

We are excited to announce that Volume 21, Issue 2 of Action, Criticism, and Theory for Music Education (ACT) is now online! Guest edited by Dr. Nasim Niknafs, ACT 21.2 is the first of two special issues dedicated to explorations of antiracism, antifascism, and anti-oppression. A big thank you and congratulations to Nasim and to the authors in this issue: adam patrick bell, Jason Dasent and Gift Tshuma, Clara Haneul Yoon, Juliet Hess, Chris Jenkins, and Stephanie R. Espie for your varied and interesting perspectives on these important topics. Please check out this issue!

Save the date for MayDay Group Colloquium 34 at Facultad de Música de la Universidad Veracruzana, Xalapa, Veracruz, Mexico! The MayDay Group invites scholars, music makers, educators, and innovators from around the globe to submit proposals to this year’s colloquium centered on the Action Ideal Collaboration Across Cultures, due February 6, 2023. Read on below for the complete call for proposals, and more.

Announcements

  • Action, Criticism, and Theory for Music Education (ACT) 21, 2 – now online!
  • MayDay Group Colloquium 34: Collaboration Across Cultures

Conferences, Workshops, & Calls

  • International Society for Music Education
  • Dialogues between art and welfare: Policies for the promotion of social well-being
  • National Singing Symposium

Nominations & Awards

  • International Society for Music Education (ISME) seeks new CEO

Position Vacancies

  • Assistant Professor of Music (tenure-track) – Colorado College
  • Assistant Professor of Music Education (tenure-track) – Drake University

Read the full newsletter here: https://conta.cc/3CHeU6T

Nominations are now open! (Colloquium Coordinator and Editor of ACT)

Get engaged! Nominations are open for the MDG Colloquium Coordinator and Editor for Action, Criticism, and Theory for Music Education (ACT) Journal. Please see below for positions descriptions and application instructions.

A. MDG Colloquium Coordinator: This position is to oversee the annual MDG colloquiua; and coordinate with the host(s) and any groups with whom we are collaborating.

Position Description: Colloquium Coordinator

  1. Sought out and appointed by Steering Committee.
  2. No set term of office; position re-filled as it becomes available.
  3. In conjunction with the Steering Committee, seeks out local sponsor for the next MDG Colloquium, at least one per year.
  4. Coordinator works with the local sponsor for all MDG events and the Steering Committee concerning theme(s), dates, CFPs, program development, fees, and details of accommodations, etc.
  5. Sets agenda for each business meeting in conjunction with input from the Steering Committee.
  6. Runs business meeting (if present), including collecting of donations from those present.
  7. Takes notes and reports to general membership in a timely fashion.
  8. Posts report on MDG website.
  9. Until such time as a MDG-wide dues structure is implemented, and a treasurer appointed by the Steering Committee, donations collected at meetings will be given to the Editor of ACT for use in production costs, honoraria (e.g., webmaster), and the like.

Nominations for the MDG Colloquium Coordinator will remain open until the position is filled. If you are willing to serve, or would like to nominate someone, please submit your nominations(s) to Steering Committee Chair Dr. Juliet Hess at jlhess@msu.edu.

B. Editor for Action, Criticism, and Theory for Music Education (ACT) Journal:

The Steering Committee of the MayDay Group (MDG) invites applicants for the position of Editor (or co-editor) for the journal, Action, Criticism, and Theory for Music Education (ACT). This is a volunteer position, appointed by the MDG Steering Committee in consultation with past and current ACT Editors. The current Co-Editors will provide support during the transition period. The position is held for a term of five years with the possibility of an additional five-year term. The term of appointment begins in June 2023, following the next MayDay Group Colloquium. Applications from persons interested in serving as a Co-Editors will also be considered.

Application deadline: Jan. 1, 2023, or until a new Editor is named.

Founded in 2001, ACT is an official publication of the MayDay Group (MDG) with a rigorous editorial standard and an average acceptance rate of 28%. Authors do not pay a fee to be published in ACT. Articles are published as they are accepted through an anonymous referee process, are technically prepared for publication, and as a sufficient number of articles is assembled to comprise an issue. ACT does not publish a set number of issues per year, although the Steering Committee has an interest in maintaining the journal’s high standing in Google Metrics and other online publication assessments.

Action, Criticism, and Theory for Music Education is devoted to the critical study and analysis of issues related to the field of music education serving an extensive international readership with diverse needs, interests, and concerns. ACT welcomes submissions from diverse perspectives (e.g. education, music, philosophy, sociology, history, psychology, curriculum studies), dealing with critical, analytical, practical, theoretical, or policy development concerns, as well as submissions that seek to apply, challenge, or extend the MayDay Group’s Action Ideals. Where articles deal with national or regional specifics, authors are encouraged to frame their research in terms that are relevant and interesting to readers in other countries or situations. Critiques of publications relevant to music education are also welcome, including those that have appeared in ACT. In a typical year the journal is read in more than 160 countries throughout the world.

 

Editor’s Responsibilities:

  1. Assume all customary editorial responsibilities for ACT (e.g., receiving submissions, overseeing the anonymous review process, communicating with authors, accepting, and editing manuscripts for publication, overseeing the work of the production team, and maintaining indexing agreements with online databases).
  2. Delegate responsibilities, as appropriate, to the Associate Editor and members of the Production Team.
  3. Counsel with members of the Editorial Board (including past Editors) on matters pertaining to their individual areas of expertise and experience.
  4. Actively seek manuscripts for publication, drafting invitations and calls for papers, prioritizing publication of papers presented at MDG Colloquia.
  5. Design special-topic issues as appropriate and selecting and collaborating with guest editors.
  6. Maintain high scholarly standards in the content and presentation of articles published in ACT.
  7. Write informed and engaging editorials.
  8. Copy-edit and format all articles in preparation for the production process.
  9. Collaborate with the Production Editor to ensure the journal projects a professional image.
  10. Work with Newsletter and Website & Social Media managers to disseminate journal announcements to the MDG membership and the public.
  11. Present an annual report to the MDG Steering Committee on ACT accomplishments and future plans.

Qualifications: The successful applicant(s) should have:

  • A record of experience in music education scholarship and practice
  • A record of refereed scholarly publications and editorial experience
  • Administrative skills to oversee the publication cycle
  • Ability to work cooperatively with volunteer guest editors when applicable
  • Ability to work cooperatively with the volunteer ACT production team and MDG Steering Committee to produce a high quality, professional journal
  • A commitment to the MayDay Group’s Action Ideals

Applications should include:

1.   Cover letter. This letter should include an expression of interest in the position, highlighting relevant background, plus a brief statement that outlines a vision and possible goals or directions for the journal. This statement could include a brief assessment of the journal’s perceived strengths and/or weaknesses, plus suggestions for how areas of concern might be addressed.

2.   Curriculum vitae. The vitae should include a complete listing of publications and editorial experience, also identifying areas of interest and expertise in music education.

Note: This position is a significant responsibility. It is important that potential candidates consider and assess the feasibility of serving as Editor considering resources and supports available. The MDG and ACT are not able to provide a salary, office space, or release time. Support offered by institutions varies widely (e.g. release time, office support, recognition for service in performance reviews). Potential candidates are encouraged to consider these factors carefully.

The Steering Committee will begin reviewing applications immediately following the Jan. 1, 2023 submission deadline. Applications and/or requests for further information may be directed to the Chair of the Steering Committee, Dr. Juliet Hess, at jlhess@msu.edu.

Sincerely,

Danielle Sirek, PhD

on behalf of the Steering Committee

https://conta.cc/3dgDbrz

Newsletter (August, 25, 2022)

Voting was open for two at-large positions and nominations are open for the MDG Colloquium Coordinator. Read on below to learn more! Feel like you can’t donate your time? Consider making a donation to the MayDay Group todaåy.

A position statement on accessibility and equity in conference participation has been crafted by some MDG members. Please see the statement here. Signatures are being collected for this initiative. Please sign here if you would like to support it: https://bit.ly/3AhpJLA.

In this newsletter, there are also a number of calls for conferences and workshops. Read on for details.

Announcements

  • Reminder: VOTE for MayDay Group Steering Committee at-large positions
  • Nominations are open for MayDay Group Colloquium Coordinator
  • Donate to the MayDay Group today!

Conferences, Workshops, & Calls

  • Berklee Music Education and Special Needs Study Group
  • Co-Op Scholarship: Collaboration in Music, Games, and Play
  • Mountain Lake Colloquium 2023
  • Pennsylvania Music Educators Association – PMEA Call for Research 2023 PMEA Call for Research
  • North Carolina Music Educators Association Conference 2022 – Music Research Nexus
  • Georgia Music Educators Association In-Service Conference

Position Vacancies

  • Assistant Professor of Music Education – Cal Poly Ponoma
  • Assistant Professor of Sound Studies/Music – Manhattan College

Read the full newsletter here: https://conta.cc/3dRotqV

Have you registered for the MDG Colloquium 33 yet? We are looking forward to seeing you June 8th-11th at University of Windsor, Canada!
The MayDay Group is delighted to share that Action, Criticism & Theory for Music Education 20(1) is now online. This regular issue of ACT offers a variety of perspectives on issues of importance to music educators. Congratulations to authors Tom Regelski, Live Ellefsen, Gabriela Ocadiz, Will Coppola and Don Taylor, Andrew Goodrich, and Tawnya Smith for their interesting and provocative articles.
Julia Eklund Koza’s book “Destined to Fail”: Carl Seashore’s World of Eugenics, Psychology, Education, and Music has won the 2021 Outstanding Book Award conferred by the Curriculum Studies Division of the American Educational Research Association (AERA). The award will be presented at the forthcoming annual AERA meeting, which will be held this year in San Diego. For details about the award ceremony, please read below. Congratulations!
Conferences and workshops in this edition of the newsletter include the International Association for the Study of Popular Music Canada (IASPM-CA)/Working In Music Joint Conference, International Society for Music Education (ISME), LGBTQ+ Music Study Group, International Symposium on Assessment in Music Education, and MusCan 2022. There is also news on the Caribbean Music Pedagogy Workshop.
Announcements
  • MayDay Colloquium 33 – Registration now open!
  • Action, Criticism & Theory for Music Education 20(1) now online
Conferences & Calls
  • International Association for the Study of Popular Music Canada (IASPM-CA)/Working In Music Joint Conference
  • International Society for Music Education (ISME) News
  • 4th Symposium of the LGBTQ+ Music Study Group
  • 9th International Symposium on Assessment in Music Education
  • My People Tell Stories Presents: The Caribbean Music Pedagogy Workshop
  • MusCan’s 2022 Conference
Nominations & Awards
  • American Educational Research Association (AERA) Outstanding Book Award – “Destined to Fail”: Carl Seashore’s World of Eugenics, Psychology, Education, and Music by Julia Eklund Koza
  • Journal of General Music Education Call for Nominations
  • Call for 2022 National Student Essay Competitions
Position Vacancies
  • Algoma University: Music Assistant Professor (Indigenous Scholar)
  • Gettysburg College: Visiting Assistant Professor of Music Education
  • Berklee College of Music: Part-Time Music Education Faculty
  • University of Arizona: Assistant Professor of Music in Music Education and Instrumental Music (strings)
  • Drake University of Music: Visiting Professor of Music Education

Read the full newsletter: https://conta.cc/3Ksy5Dj 

ACT 21(1) is now available (April 1, 2022)

We are very happy to announce that Action, Criticism, and Theory for Music Education, Vol. 21, Issue 1, is now online at http://act.maydaygroup.org/current-issue/. This regular issue of ACT offers a variety of perspectives on issues of importance to music educators. Please join us in extending congratulations to Tom Regelski, Live Ellefsen, Gabriela Ocadiz, Will Coppola and Don Taylor, Andrew Goodrich, and Tawnya Smith for their interesting and provocative articles. I’m sure they will join me in saying that we would love to get your feedback on this issue!

Newsletter (March 3, 2022)

Have you registered yet for MayDay Group Colloquium 33: Social Media for Good or Evil in Music Learning and Teaching? The colloquium website and registration information is here.
Read on below for information from the International Society for Music Education (ISME) on their World Conference; a call for chapters on problem-based learning in music theory and history, and a few position vacancies.
Announcements
  • MayDay Group Colloquium 33: Social Media for Good or Evil in Music Learning and Teaching – Update!
Conferences & Calls
  • 35th ISME World Conference taking place July 17th-22nd, 2022
  • Problem-Based Learning in Music Theory and History due Monday, April 11, 2022!
Position Vacancies
  • Fully-Funded 3-Year PhD – Live Music Now!
  • 2 Music & Minorities Research Center (MMRC) Research Positions Available
  • Visiting Assistant Professor – Lafayette College

Read the full newsletter here: https://conta.cc/3oZaeTP

Deadline Extended for MayDay Group Colloquium 33: Social Media for Good or Evil in Music Learning and Teaching

The MayDay Group is extending the deadline for MayDay Group Colloquium 33: Social Media for Good or Evil in Music Learning and Teaching at University of Windsor, Canada, to Monday, January 31st, 2022. We hope to see you there!


The MayDay Group invites scholars, music makers, educators, and innovators from around the globe to submit proposals to this year’s colloquium centered on the following action ideal:

TECHNOLOGY AND DIGITAL MEDIA

We critically examine ways in which humans and technologies interact, and how these interactions contribute to the development and/or destruction of forms of musical knowledge and practice.

Technologies evolve within socio-cultural contexts as responses to shifting needs and modes of encounters among humans and their surrounding environments. The use of technologies alters the very ways in which we interact, communicate, and make meaning of our world—transforming individual and collective perceptions of knowledge, truth, and justice. Yet, surrounding the creation, introduction, manipulation, and use of each technological tool is an ideological bias with the potential to induce benefits and harms. Implementation of existing and emergent technologies must be balanced with ongoing critique of the commodification of musics, teaching, and learning; inequitable distribution of and access to technological resources; and concerns about corporate power and overreach.

It is hard to imagine modern life and all aspects of music making, learning, and teaching without technology and digital media. As a field, music education has a long history of drawing extensively on literature from other disciplines—most notably philosophy, sociology, psychology, and education—but critical scholarly work from the fields of social/digital media and communications, and the implications that body of work has for music education, has, by and large, been overlooked by music education scholars.

Because the use of technologies and social media use are intersectional in both scope and nature, proposals are invited to address and/or problematize their relationship to/with music learning, teaching, making, production, and consumption. Topics may include (but are not limited to): critical theories of social media, activism, policy, identity formation, curriculum development, gender, feminist theories, class, formal institutions, community music, participatory culture, social music learning theories, and “world musics.” Priority will be given to proposals that connect critical scholarship from the fields of social media and communications with the Action Ideal on Technology and Digital Media.

Inspired by the recent publication of the Oxford Handbook on Social Media and Music Learning (edited by Janice Waldron, Stephanie Horsley, and Kari Veblen), presenters may want to consider the following questions as they craft their proposals:

  1. How have technologies and social media evolved within music learning and teaching contexts; how do they support or exploit the ways in which musicians learn and interact; how do they support (or not support) musical agency?
  2. How has the use of technologies and social media altered ways in which people musically interact, communicate, and make meaning of our world? How has it transformed perceptions of knowledge, truth, and justice?
  3. How do social media, social networking, and social network sites (SNSs) enable and support music learning in diverse contexts and what are the implications of their use for future music learning?
  4. How are issues surrounding mass self-communication, power, democracy, and identity negotiated in a networked society and what are the implications for music learning and making?
  5. How might existing and emergent technologies be implemented and balanced with ongoing critique of the commodification of musics, teaching, and learning; how might music educators address inequitable distribution of and access to such technological resources; and how might concerns about digital labour, corporate power, and overreach be addressed?
  6. How do technologies and network interconnectivity inform music learning and teaching? How can social media theories (for example, “cultures of connectivity,” connectivism, actor-network theory, interactive participation, “spreadability,” participatory culture, media ecology theory, networked individualism, networked publics) inform and frame music learning and teaching?

Presenters are encouraged to address issues and events by taking an interdisciplinary, theoretical, or philosophical approach in their analyses of trends and perceived problems, speaking as much to the wider university community and the public as to our own specialty, and to recommend Action Plans that can broaden our thinking and support a more inclusive, socially aware and informed practice of teaching and learning music in an increasingly pluralistic and diverse world community and classroom.

 

COLLOQUIUM FORMAT

Presentations—better understood at MayDay Colloquia as provocations—are designed to stimulate discussion and debate. Therefore, each presenter will be allocated 45 minutes, to include no more than 25 minutes for the presentation and no fewer than 20 minutes for discussion. Proposals that go outside the conventional scope of a provocation are encouraged. Musical engagements will also be considered. Projectors, speakers, and screens will be available, but it is completely acceptable to use no supporting technology. Presenters must register and are expected to be in attendance at the colloquium. Extenuating circumstances to in-person presentations will be considered on a case-by-case basis. Please contact the colloquium coordinator if accommodations are needed due to political or health related issues.

 

PROPOSAL SUBMISSION PROCESS

• Please submit both: a proposal of no more than 800 words (references included in word count) and an abstract of no more than 100 words as word.doc email attachments. Incomplete submissions will not be considered.

• State your name, institutional affiliation, email address, and other contact information in the body of the email only. There should be no identifiers on proposals or abstracts.

• Submit no later than January 17, 2022 January 31, 2022 to maydaygroup33@gmail.com

• Proposals will be blind reviewed and evaluated according to the following criteria: clarity of ideas, contribution to/interest for the profession, relevance and contribution to theory, and connection to the action ideal and surrounding questions.

• Notification will occur by email no later than February 28, 2022 March 14, 2022.

• If accepted, the primary presenter and any co-presenters must register for the conference no later than March 14, 2022 April 1, 2022 or forfeit their acceptance.

• Registration information will be posted on the MDG 33 Colloquium website.

• Accepted abstracts will be posted to the Colloquium website by April 1, 2022 April 15, 2022 and cannot be changed after that date.

Newsletter (December 17, 2021)

Just one month left to submit your proposal to MayDay Group Colloquium 33: Social Media for Good or Evil in Music Learning and Teaching, co-hosted by Janice Waldron and Danielle Sirek at University of Windsor, June 8th-11th, 2022! To read the full call for proposals, please click here.
The MayDay Group is pleased to share several book announcements: Music, Leisure, Education: Historical and Philosophical Perspectives, by Roger Mantie; Rethinking Music Education and Social Change, by Alexandra Kertz-Welzel; and Music Schools: Best Teaching Practices in Primary and Secondary Schools that Educate through Music, edited by José Luis Aróstegui, Gabriel Rusinek and Antonio Fernández-Jiménez. Congratulations!
The International Society for Music Education (ISME) has announced that the conference will now be virtual, and the International Association for the Study of Popular Music (IASPM) Canada Conference 2022 has extended their deadline. Included in this newsletter are calls for The Journal of Music Research Online, 4th Symposium of the LGBTQ+ Music Study Group, Developmental Science special issue on Music in Development, Decolonizing East Asia in Music Research and Pedagogy, and the American Educational Research Association (AERA) Music Education Special Interest Group Awards. For those hoping to attend the New Directions conference in 2023, please save the date.
Announcements
  • MayDay Group Colloquium 33: Social Media for Good or Evil in Music Learning and Teaching – Proposal deadline in ONE MONTH!
  • Book Announcement – Music, Leisure, Education: Historical and Philosophical Perspectives, by Roger Mantie
  • Book Announcement – Rethinking Music Education and Social Change, by Alexandra Kertz-Welzel
  • International Society for Music Education (ISME) World Conference – now virtual
  • Book Announcement – Music Schools: Best Teaching Practices in Primary and Secondary Schools that Educate Through Music, edited by José Luis Aróstegui, Gabriel Rusinek and Antonio Fernández-Jiménez
  • New Directions Conference 2023: Play in Music Education Across the Lifespan – Save the Date!
Conferences & Calls
  • International Association for the Study of Popular Music (IASPM) Canada Conference 2022 – deadline extended!
  • Decolonizing East Asia in Music Research and Pedagogy, AMS/SMT/SEM 2022
  • The Journal of Music Research Online
  • 4th Symposium of the LGBTQ+ Music Study Group
  • Special Issue of Developmental Science on Music in Development
Nominations & Awards
  • The American Educational Research Association (AERA) – Music Education Special Interest Group Awards
Job Announcements
  • Indigenous Scholars & Black Scholars – Multiple Faculty Positions, Western University
  • Associate Professor of the Practice – Music Education (Band), University of Kansas School of Music
  • (2 Positions), Associate Director of Bands + Music Education, Associate Director of Choirs + Music Education, The University of Northern Colorado School of Music
  • Director of Equity, Diversity, and Inclusion – Faculty of Music, University of Toronto
  • (4 Positions), Professor and Director of School of Music, Assistant Professor of Ethnomusicology, Assistant Professor of Entrepreneurism and Innovation, Vocal Ensemble Director, University of South Florida
  • Clinical Assistant Professor of Music Education, Purdue University Fort Wayne School of Music
  • Dean of the School of Music, The State University of New York

Read the full newsletter here: https://conta.cc/3s8Puv8